A Different Man (2024), directed by Aaron Schimberg, is a darkly comedic thriller that explores themes of identity, transformation, and societal perceptions of beauty. The film follows Edward Lemuel (Sebastian Stan), an aspiring actor in New York City living with neurofibromatosis, a condition causing facial disfigurement. Struggling with his appearance and limited to minor acting roles, Edward undergoes an experimental medical procedure that radically alters his face, transforming him into the conventionally handsome “Guy Moratz.” Embracing his new identity, Guy becomes a successful real estate agent, distancing himself from his past. However, his former neighbor, Ingrid (Renate Reinsve), now a playwright, is casting for a role based on Edward’s former self. Guy becomes obsessed with playing this role, leading to complex discussions about authenticity and casting in the film industry.

The narrative intensifies with the introduction of Oswald (Adam Pearson), another actor with neurofibromatosis, who embodies self-acceptance and confidence. Oswald’s presence challenges Guy’s perceptions of identity and success, creating tension and introspection. The film delves into the dark side of fame and the lengths individuals will go to redefine themselves, blending elements of satire and psychological drama. Schimberg’s direction offers a surreal and macabre narrative, though the second half becomes increasingly fragmented. Sebastian Stan delivers an excellent performance as a man forever uncomfortable in his own skin, while Adam Pearson’s portrayal adds depth to the film’s exploration of societal reactions to physical differences.