Television (2022) is a Bangladeshi drama film directed by Mostofa Sarwar Farooki, known for his ability to blend realism with social commentary. The film explores themes of tradition, modernity, and the clash between conservative values and technological progress in rural Bangladesh.

The story revolves around a strict village head, Chairman Amin, who enforces rigid religious rules within his community. He strongly opposes modern influences, particularly television, which he considers a source of moral corruption. He bans its use, fearing it will disrupt the village’s cultural purity and religious discipline. However, this decision creates tensions among the villagers, especially the younger generation, who are increasingly curious about the outside world.

Despite Amin’s strict policies, the villagers find ways to watch television secretly. The arrival of new technology, particularly satellite TV, intensifies the conflict. Amin’s own son and other young villagers begin questioning the rigid traditions imposed on them. As resistance grows, the film highlights the struggle between conservative ideology and the inevitable progress of modernity.

Through humor and poignant storytelling, Television offers a satirical yet thought-provoking look at societal change. It presents Amin not as a villain but as a product of his environment, struggling to maintain control in an evolving world. The film ultimately suggests that change is inevitable and that resisting progress only leads to deeper divisions.

With its compelling narrative, well-developed characters, and strong performances, Television is a powerful commentary on the tension between tradition and technology. It raises important questions about cultural identity, generational conflicts, and the role of media in shaping society. The film successfully blends drama with comedy, making it both entertaining and deeply reflective.