Wicked: Part I (2024), directed by Jon M. Chu, is a cinematic adaptation of the renowned Broadway musical, offering a fresh perspective on the classic tale of “The Wizard of Oz.” The film delves into the origins of the Wicked Witch of the West, Elphaba, portrayed by Cynthia Erivo, and her complex relationship with Glinda the Good Witch, played by Ariana Grande. Their journey begins at Shiz University, where societal prejudices and personal ambitions intertwine, leading to a profound yet tumultuous friendship.

The narrative explores themes of identity, acceptance, and the corrupting influence of power. Elphaba’s green skin sets her apart, making her a target of discrimination, while Glinda’s privileged status offers her societal admiration. Their contrasting backgrounds and shared experiences highlight the nuances of their characters, challenging preconceived notions of good and evil. The plot intensifies as they encounter the Wizard of Oz, portrayed by Jeff Goldblum, whose charismatic facade conceals a manipulative agenda, leading to pivotal choices that define their destinies.

Visually, the film is a spectacle, with vibrant production designs that bring the fantastical world of Oz to life. The contrasting settings—from the whimsical Munchkinland to the opulent Emerald City—are crafted with meticulous attention to detail, enhancing the storytelling experience. Paul Tazewell’s costume designs and Nathan Crowley’s production design contribute significantly to the film’s immersive quality.

Musically, Wicked: Part I stays true to its theatrical roots, featuring powerful performances of iconic songs like “Defying Gravity” and “Popular.” Erivo and Grande’s vocal prowess adds depth to their characters, capturing the emotional essence of their evolving relationship. The choreography, particularly in numbers like “Dancing Through Life,” showcases dynamic sequences that blend seamlessly with the narrative, reflecting Chu’s expertise in orchestrating grand musical moments.

The supporting cast delivers noteworthy performances. Michelle Yeoh embodies Madame Morrible with an air of elegance and underlying menace, while Jonathan Bailey’s Fiyero brings charm and complexity to the story’s romantic subplot. Peter Dinklage lends gravitas as Dr. Dillamond, a goat professor advocating for animal rights, adding layers to the film’s exploration of societal injustices.

While the film excels in its musical and visual elements, it grapples with balancing its darker themes of authoritarianism and oppression. The portrayal of minorities being persecuted and the Wizard’s tyrannical rule introduces a somber tone that contrasts with the film’s more whimsical aspects. This dichotomy, though reflective of the source material’s intent, may affect the film’s pacing and tonal consistency.

At a runtime of 2 hours and 40 minutes, “Wicked: Part I” covers only the first act of the original musical, with the sequel anticipated in November 2025. This division allows for a more in-depth exploration of character development and plot intricacies, setting the stage for a compelling continuation of Elphaba and Glinda’s intertwined fates.

In essence, Wicked: Part I offers a richly layered narrative that challenges traditional archetypes, supported by stellar performances and grand musical sequences. It invites audiences to reconsider the boundaries between heroism and villainy, setting the foundation for an eagerly awaited conclusion in its forthcoming sequel.